ring around the stripper pole
britney's album is out and it's fittingly titled "BLACKOUT." hahhaha, i'm just cracking up about that and also, how horrible the vid is. MTV does show videos in the AM...i flip from Matt Lauer to music vids in the morning and what popped up? "GIMMIE MORE." ug.
now that you've seen this horrendous music video highlighting the life of a stripper and alcoholic (b/c this song is all about stripping and drinking, i.e. Britney's life for the last couple years) you can understand why shitney is not making a comeback. is anyone with me? there are still people waiting around. does anyone realize that this video is a dance routine (shitty, i may add) based around a stripper pole? i heard that after the shooting of this video Brit went to LAX and Auer, showed her who-who, made-out with Tony Romo and Chris Angel and then blacked out.
now that you've seen this horrendous music video highlighting the life of a stripper and alcoholic (b/c this song is all about stripping and drinking, i.e. Britney's life for the last couple years) you can understand why shitney is not making a comeback. is anyone with me? there are still people waiting around. does anyone realize that this video is a dance routine (shitty, i may add) based around a stripper pole? i heard that after the shooting of this video Brit went to LAX and Auer, showed her who-who, made-out with Tony Romo and Chris Angel and then blacked out.
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there are a few things i have to say about this.
1.) why does anybody think that a video that just shows stripping and dancing on a stripper pole is AT ALL innovative? yawn city.
2.) they focus most of the shots on her ass...because you can totally see, even though she only allows frontal tummy shots when she is in motion, that the tum remains pooched out.
3.) shiteous as the video may be, it kind of doesn't matter, because whether i'm watching the video, or hearing the song on the radio, or even hearing it at a club, i will probably never picture anything other than her failure-dance-routine at the VMAs.
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